After first performing his quintet for piano and winds in 1784, Mozart described it to his father as “the best work I have ever composed”. But, mysteriously, it was not published for several years and then in the form of a quartet for piano and strings — and with a bogus ending

The present edition presents this excellent transcription in Urtext form, and at the same time explain the strange circumstances that surrounded the disappearance and rediscovery of the manuscript. For the curious, both the “bogus” ending and a more Mozartian version are given.

“A beautifully designed edition of a wonderful chamber music work, which can be recommended to all players who not only delight in making music but value an edition with analysis and critical commentary.” (Das Liebhaberorchester)