 |
Click the blue links for more information |
Click the image to order |
 |
|
|
| Wild Wood was commissioned in 2013 by Ardingly ArtsFest and Fontanella Recorder Quintet. The unusual, boxy-looking Paetzold instruments for which it is written – fondly known by some as ‘IKEA recorders’ – immediately caused a stir at the premiere. Fontanella has since championed the piece throughout the UK, chalking up an unusually high number of repeat performances for a contemporary work. In 2014 the ensemble filmed a performance at the Lights Theatre, Andover, and this has now been viewed over 4000 times on YouTube.
Read full description
|
| 
|
| Simon Balicourt (1706–1757), during a London career that lasted from 1735 (the year he arrived from the Continent) until his death, was a leading flautist and flute composer. He left two sets of flute sonatas, published in 1750 and 1760 respectively, each containing eight beautifully polished and musically imaginative works that draw equally on his German background and on the French-influenced tradition of flute-playing in his adoptive country. Suitable for both educational use and concert performance, these pieces – now appearing for the first time in a modern critical edition – deserve a place at the forefront of the late baroque repertory for transverse flute.
continue reading
|
| 
|
NEW TITLE FOR THE ASSOCIATED BOARD SYLLABUS
FLUTE
| “Edition HH strikes gold once more with the beautifully clear publication of the flute concerto in E minor by August Eberhard Müller (1767-1817), edited by Christopher Hogwood and Nikolai Jaeger.”
continue reading
|
|
|
ed. Christopher Hogwood | Nikolai Jaeger
|
| 
|
NEW TITLE FOR THE ASSOCIATED BOARD SYLLABUS
OBOE
| “And there’s a delicious surprise – a glorious Sonatina by Walmisley, in a new edition by Christopher Hogwood.” (The Observer)
continue reading
|
| 
|
.
Recently reviewed:
.
.
Links to some of our recent publications
.
BAROQUE
| | | | | | | | |
Music example (pdf)
Music example D major (pdf) 
