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* CONTEMPORARY PIANO SUITE *
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We are delighted to welcome Will Eaves to Edition HH!
Will Eaves (*1967) is a novelist, poet and musician. Murmur won the 2019 Wellcome Book Prize and the Republic of Consciousness Prize for fiction, and other of his works have been shortlisted for major literary awards. He has worked as Arts Editor at The Times Literary Supplement and as an Associate Professor at the University of Warwick. He is a Fellow of the Royal Society of Literature and co-host, with Professor Sophie Scott, of The Neuromantics, a podcast on science and literature.
Composer: Will Eaves
Publication date: March 2025
Instruments: Piano solo
Format: Playing score
Duration: c.16'
Pages: v/20
ISMN: 979 0 708213 47 5
Code: HH633.SOL
Price: £12.00 more information
Four Diptychs is a suite for solo piano comprising eight short works in pairs. The component pieces speak to each other, without interpenetrating, in the manner of a diptych. A ‘diptych’ is a two-panelled painting, but in the ancient world it was also the equivalent of an exercise book: two wax plates facing each other on which the student (or adept) wrote or drew with a stylus. The wax could then be reheated and the work remade. Ideally, the effect of listening to the diptychs should be that of hearing something at once deliberate and carefully spaced, but also sketch-like, evocative, playful. In scale and intention they are somewhere between studies and preludes.
 1. Pavan (pdf)
2. Galliard (pdf)
1. Curlicue (pdf)
2. Mote Turning (pdf)
1. Pigeon (pdf)
2. Sandpiper (pdf)
1. Luf-Daungere (pdf)
2. Toccatina (pdf)
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* MOTET for Contralto, violin and continuo *
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In August 2024 Michael Talbot identified as compositions by the Venetian monk and composer Diogenio Bigaglia (1678–1745) eight anonymous motets for voice (soprano or contralto), solo violin and basso continuo contained in an album of music for that combination compiled in 1739 for the young Bavarian duchess Maria Antonia Walpurgis (herself on the way to achieving fame as a singer, harpsichordist and, especially, composer). Bigaglia had established a connection to the Bavarian court in Munich as early as 1713, when Maria Antonia’s grandmother, Therese Kunigunde Sobieska, then living in temporary exile in Venice, obtained copies of cantatas by him. These expansive motets, which test the ability of singer and violinist alike, are remarkable for their musical eloquence and inventiveness. They display the same fine sense of line and imaginative treatment of musical structure as in his chamber duets (published earlier by Edition HH), with the important difference that the contrast between the timbres and technical capabilities of the two upper parts can here be fruitfully exploited.
CONTRALTO, VIOLIN & BASSO CONTINUO
Music example (pdf)
Michael Talbot’s editions of the motets include commentaries on their Latin texts, for which line-by-line English translations are supplied, and add or supplement the bass figures of the continuo part as an aid to those intending to improvise an accompaniment. A specimen continuo realization for chamber organ or harpsichord is provided for the use of those who prefer to play ‘from the notes’.
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ed. Michael Talbot
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Nocturne
is included in the Grade 6 Piano syllabus of the ABRSM
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| Den lille danserinnen (‘The Little Ballerina’) evokes a charming, gracious, light-footed dancer, while Nocturne makes the piano sing in the romantic tradition. Both these delightful short pieces would be ideal encores!
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"I love these two little pieces, and I am sure many late intermediate players will enjoy them equally."Read Andrew Eales's review in Pianodao
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 List of works published and in press |
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You can download the current catalogue (pdf) by clicking the cover on the right. |
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Music example (pdf)