Anton Franz Joseph Eberl
Ten variations on Zu Steffen sprach im Traume (Fortepiano)
Toccata (Fortepiano)
Sonata in C minor, Op. 1 (Fortepiano)
Sonata in F minor, Op. 12 (Fortepiano)
Sonata in G minor, Op. 39 (Fortepiano)
Grand Duo, Op. 28 (Violoncello (or violin) and keyboard)
Sonata in D minor, Op. 14 (Violin and fortepiano)
Sonata in D major, Op. 20 (Violin · pianoforte)
Sonata in B flat major, Op. 35 (Violin · pianoforte)
Sonata in A minor, Op. 10 No. 1 (Violin · violoncello (optional) · fortepiano)
Sonata in B flat major, Op. 50 (Violin · pianoforte)
Sonata in F major, Op. 49 (Violin · pianoforte)
Sonata in B flat major, Op. 10 No. 2 (Clarinet/(Violin) · violoncello (optional) · fortepiano)
Anton Franz Joseph Eberl (1765-1807), nine years younger than Mozart, had also begun life as a prodigy, giving his first private keyboard recitals in Vienna at the age of eight. He became a friend of Mozart and probably also a pupil; certainly his compositions, which began appearing in print from 1788, show such an acquaintance with Mozart’s style that some misattribution seems inevitable.
